The repeated shot. The whispers of the Qom and their orderly walking in line in front of the camera. The machines that get bogged down. The heat and the mud. The costumes and the wigs. The casting. Ghost towns turned into film stages; locals into Spaniards and Indians; fields into the wasteland where Don Diego de Zama awaits in vain a promotion that will save him from apathy and ostracism.
As Lucrecia Martel films, Selva Almada observes, asks questions, and writes down. These notes, subtle and lyrical, are much more than an inspirational and irreverent filming diary. They are a sensitive optical device that illuminates, fragments and offers insights into the literary myth of Zama, going through pages and images, from the movie to the book.
Will be published by: Turquía Ekim Film Yapım Prodüksiyon San