Gabriela Cabezón Cámara
© archivo del autor

Gabriela Cabezón Cámara

Argentina | 1968
She is one the most original voices of Argentinian literature. La Virgen Cabeza, her first novel, was a breakthrough celebrated by readres and critics alike.
Sigue leyendo

Her novel La Virgen Cabeza was a finalist for the Silverio Cañada Memorial Prize at the Gijón Detective Week and 2009 Rolling Stone Argentina Book of the Year. Her short novel Le viste la cara a Dios was published by the Spanish online publisher Sigueleyendo in October 2011 and was the first e-book in Spanish to be chosen as book of the year by Revista Ñ.

Beya, le viste la cara a Dios, a graphic novel co-authored with Iñaki Echeverría was awarded the Argentine Senate’s Alfredo Palacios Prize and was recognized as having social and cultural significance by the Buenos Aires City Council and by the Chamber of Deputies of the Province of Buenos Aires for its contribution to the fight against human trafficking.

She works as an editor in the Culture section of the Clarín newspaper until August 2014. She currently coordinates writing workshops and clinics and works as an independent journalist contributing to Página 12, Fierro (a comics magazine), Eterna Cadencia (blog), Anfibia (feature magazine) among other publications.

Cabezón Cámara’s style is unmistakable, something which can be said of few Argentinian writers. One can only hope that her delightful rhythm and her highly cultured yet sentences will be repeated long after the author’s name is forgotten, as one can say of some tango lyrics or of Martin Fierro itself. María Moreno,Revista Ñ

Opening one of Gabriela Cabezón Cámara’s novels is like unfolding a universe of rules, myths and a music of its own, where resistance to the oppressive is practiced to a rhythm of celebration and excess. Guadalupe Treibel,Página 12

…These are provocative texts that feel their ways along the edges of the city with characters in situations of constant danger, bodies moving to the beat of getting to know violence, languages raised to the scream or insult that come together with a language that searches and searches again in literary references another response to the provocation. Nora Domínguez, Cuaderno Lírico, Revista Red Interuniversitaria, Francia

Her lively splendor can turn anything into a resource, can redefine what is wealth and beauty. Agustín Valle,Rolling Stone



Other Books by the same author 

Other books by the same author

Sacrificios.Short Stories, 2015
Le viste la cara a Dios. Novel, 2011